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LOVE​:​THIRTEEN

by Dean Marino

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1.
Footnotes 03:14
Crammed in the margin Quite on the page Often skimmed over and then forgotten Some of us chapters Some of us quoted at length Some are whole novels They punctuate I sensed the smoke the page was burning And still I chose to stay inside You left the room your writing open This is my story. I’ll never read it. Throwaway husband looking for a life To find redemption, I left my calling Some kind of nightmare, the kind I couldn’t even write This is my station. They all were right. I saw the flame the house was falling And still I tried to reach the other side You left the room your words still burning This is my story. This is my story (Pick me up) I saw the flame the house was falling And still I tried to reach the other side You left the room your words still burning This is my story. This is my story
2.
Driving down to my dream I’m haunted by the number three There’s magic in your eyes, Babe This haunting just won’t go away You’re riding in my car now I’m stinging and you’re all dolled up But you ain’t the only doll… Are you? Pulling in, I drop you off So you can get lined up At some ritzy boy’s ball I volunteered the lift, see Not aware of possibilities A rich man’s double tryst, see I’m haunted by what could be Killing time, I drive around Taking all the lakeside streets Some cops, they get a whiff of me See, they can smell what’s up, Babe They feel it in the sultry air Hoping that I fuck up I know it’s only work, Babe But you said you was having fun I’ve been waiting like a jerk I know I ain’t the only one So treat me with respect, Babe And mind that you keep telling lies Because I don’t want to know, Babe What happens on the other side
3.
You can't really win Because I'm already beat You can't win I was already beat I guess there's only me now Wandering with loss All the worst nightmares Have already been crossed Thrice over and over, thrice over again Out in the open when I wasn’t looking Past the day of our commitment when I was locked in And all the books and everything put away and mixed in You can’t really see me because I’ve seen everything Yeah, nothing really scares me because I’ve seen everything I slept while the Devil clawed at our windowpane I sat on the floor among the many you pleasured all the same Thrice over and over like swords lodged in my heart I’m falling from your tower that the storm tore apart When a third time came around, I refused to grant the ride I stayed behind, shut my eyes, and found a place to hide You were feeling apathetic, so I went for a walk I was looking for a parlour or a place that welcomed talk I was haunted by an image and a need to purge my mind So, I gave my left arm over and let him draw the line Thrice over and over and over again I watched the tiny needle puncture the skin Was I making a commitment or just feeling the pain? Was I making a reminder not to let it happen again? Thrice over and over, three swords in my heart I’ll be dancing up your tower that keeps crumbling apart If a fourth time comes around, I won’t refuse the ride But I guess I can’t be counted to stay inside
4.
Ghost Motel 00:50
Do they know our dreaming? Can they fathom as we pass? One hundred kilometers an hour Their darkened window a looking glass? Do they hear our tender jest-words? Hall orgy Key party Do our tongues further sodden their beds? Their torn sheets and dangling rods shyly swinging Or further the encroach of grass Of roots pushing past Between peelings, brick, and broken concrete? Does our doppler-vroom laughter splinter your dreamless pill-sleep As we wake-dream of colonial paints to covet your walls Your vermi-eaten squalor sheets And midnight trucker’s taint?
5.
Bedside manner That’s what’s keeping me Bedside manner While I’m slowly bleeding See, you don’t speak to the sick that way You take the lesser sickness and push it away My illness never looks severe It knows to hide but is always near It hides inside my tightened chest Or in the swelling throat that holds down the sick It comes up in the lines I write Or in the ways I wish I could fight Oh, how I wish I could find them Manifest this man-to-man So all this pain can feel directed So everything can feel corrected Bedside manner That’s what keeps me Bedside manner Hold you close while we bleed I figured you were lovelorn Clinging to your phone like a blanket When you thought I wasn’t looking And all the time I thought, “who was it?” But it was time that got away And all those pills you did not take They laughed along the calendar days Dancing on your body like a grave Oh, how I wish I could have known Or had the nerve to ask, “what’s going on?” An enemy clear in my sight Would tell me how, just how to fight Bedside manner Is all that kept me Bedside manner And all the time I’m bleeding There’s so much more I need to say About the restless march of calendar days But my timing never seems to win And my tired eyes can sense them coming See, I’m still working through this mess And those swords I pulled out of my chest And though I’m trying to be my best The wounds still smite and all the rest But I think you still deserve to know The harm done to my body And the fear that rises in my throat Every time you reach for your planner Bedside manner Is all that kept me Bedside manner And all the time I’m bleeding
6.
Canada Day 05:09
It’s Canada day. So, hip, hip, hooray It’s Canada day. So, hip, hip, hooray I was finishing a song, giving you the space To get ready on your own. You had the time and place And the means to get back home I thought I was taking a stand The same gig two weeks before had me aimlessly cruising the lakeside But it’s Canada day. So, hip, hip, hooray It’s Canada day. So, hip, hip, hooray We both got home without a trace You changed your costume, washed your face Ammunition tossed and hidden, so that I could keep my own deception You walked the whole way home You didn’t use your cane We were both feeling good but on different planes On Canada day. So, hip, hip, hooray It’s Canada day. So, hip, hip, hooray See, we had broken our own rules Not to honour this contradiction And to fuck this hang-up-holiday And recoil from its celebration But they wormed their way back in your dates The first time somehow cheapened When the honoured guest arrived to late Starved for completion On Canada day. So, hip, hip, hooray On Canada day. So, hip, hip, hooray See, I read something later on When I wasn’t even trying On some subject you had written on Something trite and said in passing But I just could not escape those words Or the logical conclusion And the images came flooding in On Canada day So, hip, hip, hooray It’s Canada day. Hip, hip, hooray
7.
Old Film 00:35
Nude Under blankets We watched a film by the old master that had old actors And old values and old tropes and old men And was supposed to be about Fidelity and class But was really about Dead hookers The perils of imagination The starkness of truth And the allure of deception And we both had feelings So, I guess it worked
8.
Pieces 03:46
You know you’re lost in something unreal when the artifice speaks Louder than the person beside you who follows your lead This is your world, reality calling, the dog’s at the gate Oh, Lightning Tower, catastrophe’s calling It’s time to leave this place A consolation A consolation by the hotel candlelight You are made over Following orders on a hot Friday night The number one in the number thirteen is a shitty place Don’t look at me. You know what I mean It’s a shitty, shitty place This all makes sense. The pieces somehow all fit together Your pleated skirt, your red-stained lips Are you working it, Lover? A consolation A consolation we booked in advance I made you over You’re following orders Was this a gift, by chance? Position one in the number thirteen is a shitty place Don’t look at me, I don’t want to see that wooden grin on your face Position one in the number thirteen is a shitty place It’s a shitty place It’s a shitty place It’s a shitty place It’s a shitty place
9.
Late Spring 05:16
The springtime came but late this year Many will say it never happened Our lives were tussled in the humid air The lilacs already fallen Sirens swirling like a hornet’s nest The streets hot and violent Our livelihoods put to the test And so, I chose to stay silent Our spring did come, but late, my dear A rain soft and temperate It cut the heat that fed my hate A fool’s dream confronted So, I drank freely from your lunar flower And gave myself permission To abandon my foolish tower And sing to all my omissions: An ode to your skin Of flowered porcelain To breezes cool and curtains thin Of light that came back again Some fools are only meant to dream A few will realize them Some fools might stumble upon the means And use their wealth to buy them And if I start to feel that taint I should examine my thinking I am the maker of my fate I should be singing I should be singing: An ode to your skin Of flowered porcelain To breezes cool and curtains thin Of light that came back again Of reaching for the cup That pours to fill me up With nourishment after the trial A gift from a child
10.
Bruises 04:01
I let you settle down To write your magazine If you don’t understand It’s because you don’t know what I mean And it can take all night Just to get me settled down But it feels alright You know I’ll come around Because I’ve got my car And I have the whole night If we take our time Then I’ll feel alright I took you to the park I couldn’t be myself The bruises on my arm They point me to the way And it can take all night Yes, I can take all night Yes, I can take all night I’ve got my car Let me go all night And if we take our time You know I’ll be alright You know I’ll be alright You know I’ll be alright

about

This is the debut solo album from Canada's Dean Marino, formerly of PAPERMAPS/EX~PO, and is quite a departure from his other works while retaining quite a lot of his signature flair. Dean Marino's deft and pristine production make for a fantastic and recognizable sound. Dean let the FPR team make the finishing touches, and his son made the artwork, but every single sound heard on the record was made by Dean himself over the course of a few months. After over a decade of producing albums with other notable bands such as Tokyo Police Club and Born Ruffians, it's not a surprise that this album is absolutely beautiful on the production end. The arrangements are lush but precise, with not a tone out of place, and Dean's excellent songwriting is on full display as a result. The spoken word tracks, while among the most unexpected additions to Dean's ever-expanding sound present on this recording, are welcome and well-fitting, and add to the emotional weight of the piece as a whole. The pieces come together to create an amazing and career-spanning work of gathered wisdom and beauty, and we're so glad to be sharing it with the world.

credits

released November 13, 2020

Written and produced by Dean Marino
Recorded and mixed at the Echo Box (Toronto) between July 1st and October 13th 2020
Cover paintings by Elliot James Marino
Mastered by Ben Wolgamuth
All songs copyright 2020 Dean Marino
FPR-167

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Flowerpot Records Ohio

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